第二部分重点介绍了李阳疯狂英语的特点及优势。其中特点包括以下几个方面：1、办班灵活，注重课堂互动;2、学习过程由简单到复杂，由短句到长句，由句子到篇章，朗读速度由慢到快，同时训练方式也叫为独特;3、各种场合讲话善于借助身体语言，使语言与动作相结合，更形象化;4、训练句型非正规性(Damn it! Watch your month)、幽默性、中成英表、鼓励性(No pain, no gain)等。而优势则包含六个方面：1、大声读，在读中克服羞怯;2、大声拼，在拼中学会记忆;3、大声唱，在唱中找到乐趣;4、大声说，在说中找到自信;5、重视非智力因素的培养。也就是指注重对学生学习激情的激发，而把学习英语与人生奋斗相联系起来。如：“一分耕耘，一分收获”“学习英语没有什么了不起!攻克英语，小菜一碟!”“打击我吧!迫害我吧!主我成为真正的人!”等;6、教材更符合生活实际。教学内容多取自欧美国家的实际生活的情景，而且口语强调地道，实用(如：Is everything under control?一切都在掌握之中吗? Give me a favor!帮我一把吧!)。
第四部分，也就是全文的核心部分，讲了李阳疯狂英语教学法在中学英语口语教学中的运用，共八个方面。1、教师示范作用，课堂推广疯狂口语训练教学。这一小点主要讲了“一口气训练法”(指尽量在一口气内读完尽量多的段落，在一段时间训练之后，原来需要换三、四口气才能读完的短文，可以一口气读完)和“三最口腔肌肉训练法”(最大声、最清晰、最快速);2、组建疯狂英语角或疯狂英语俱乐部，营造语言氛围;3、中学英语口语结合疯狂英语神奇的句子中心论。即以句子结构为中心，将口语变成说句子(如：What’s your favorite…?)这一句型，后面可以变接(food, pastime, holiday)等，由一个句型演变成十几个甚至上百个句子，也就是所谓的：“以一顶十，以一顶百的核裂变超级句型”;4、开展多种疯狂式英语演讲活动，激发学生的能动性;5、帮助学生树立疯狂的情感意识。情感是指制约行为的感情、感觉、心情、态度等方面;6、多媒体辅助，输入疯狂信息资料;7、在疯狂口语中培养学生的英语思维能力，巧妙地借助身体语言;8、用疯狂英语手势法和五大发音秘诀，帮助学生纠正发音，突破发音难关。手势法：指用不同的手势扮演不同的发音部位，尽情地跟随手势，张嘴进行模仿、练习，直到真正做到位;五大发音秘诀即为：长元音和双元音饱满、短元音急促有力、干净利落、连音和省略、咬舌音、绕口令训练等，真正帮助学生纠正发音，突破发音难关。结合实际，说明了推崇李阳疯狂的必要性!
Good morning, all appraiser committee members. I am a f. o. &boli-bennett, my tutor is Chen. Her constant encouragement and guidance, I have finished my paper. Now, it's show time. You and I will work hard to welcome any correction.
The topic of my thesis is《 George Eliot “Middleton ma qi” of the female and female problems》.Here's the paper selected topic background.
George Eliot (1819-~1880) was bom as Mary Anne Evans, an English novelist,journalist, translator and one of the leading writers of the Victorimi era who developed themethod of psychological analysis. George Eliot is her pseudonym in the literary circle.
In January 1855 after eight-month-stay with George Henry Lewes from Germany back toEngland, her first article Evangelical Teaching in Westminster Review was well received, butconsidering the discriminative views on women critics in the mid-Victorian era,she used “theauthor of article No. 4as a code name to conceal her gender so that she could gaina fair treatment from critics. With the encouragement of Lewes and her distinct views onwriting, she turned to fiction in 1856, among which Scenes of Clerical Life is her first novel.
As a leading woman novelist in the late Victorian era, Eliot is a prolific writer in noveland poetry. Her works include seven novels including Adam Bede (1859)， The Mill on theFloss (1860)，Silas Marner (1861)，^omo/a(1863)， Felix Holt, the Radical (1866)，Middlemarch (1871-72)，Daniel Deronda (1876)，poetry with The Spanish Gypsy (1868) asthe representative, translation of David Strauss' The Life of Jesus (1846) and of LudwigFeuerbach's The Essence of Christianity (1854) and other articles like Silly Novels by LadyNovelists (1856)，Scenes of Clerical Life(l857)，etc. when she worked as editor ofWestminster Review (1851-1854)。
As far as Eliot's writing style is concerned, she creates her fictional world out of herpersonal experience~a middle-and-lower-class rural England of the nineteenth-centuryMidlands. All her rich experience gives rise to her distinct writing features, which is highlypraised by Leavis in The Great Tradition:
Of the earlier novelists it was George Eliot alone (if we except the minor relevance of JaneAusten) whose work had a direct and significant bearing on her own problem. It had this bearingbecause she was a great novelist, and because in her mature work she handled withunprecedented subtlety and refinement the personal relations of sophisticated charactersexhibiting the 'civilization,of the 'best society,' and used, in so doing, an original psychologicalnotation corresponding to the fineness of her psychological and moral insight .
Leavis summarizes the writing features of George Eliot from two aspects. Firstly, Eliot's lifeexperience and her research into the Victorian society are well reflected in her works,whichjustifies for our study on the inter-relationship among her life, her feminine outlook and herfeminine characters in her works. Secondly, she specializes in ”sophisticated characters“ withthe touch upon the Victorian society and a daring trial on the psychological development ofcharacters.
Young called Eliot as ”moralist of the Victorian revolution . Undoubtedly Eliot'sdeep insight into human psychological and moral aspects symbolizes her mature techniques inhandling with characters, which,to a great extent, also greatly influences her successorsincluding Henry James, Joseph Conrad, and D.H. Lawrence,etc.
When it comes to her position in English literature,Leavis places Eliot “mnong threeother great novelists including Jane Austen, Henry James and Joseph Conrad.” He regardsEliot as “a great artist~a great novelist, with a great novelist's psychological insight andfineness of human valuation .” Lord David Cecil compares George Eliot with Jane Austenand says by way of explaining the phrase, it is this: that “George Eliot, being concerned, notto offer 'primarily an entertainment,' but to explore a significant theme-a theme significantin its bearing on the 'serious problems and preoccupations of mature life'-breaks with 'thoseftmdamental conventions both of form and matter within which the English novel up till thenhad been constructed?‘” In this way, Eliot's contribution to English literature and herphilosophy beyond the traditional realm for women cannot be neglected.
Middlemarch is a milestone of Eliot's mature works,which depicts a provincial life of avirtual town named Middlemarch in1830s with more than 70 characters in it Leavis callsMiddlemarch as “the only one book to represent her mature genius.” Virginia Woolfmakes- the following comments on Middlemarch:
It is not that her power diminishes, for, to our thinking, it is at its highest in the matureMiddlemarch, the magnificent book which,with all its imperfections, is one of the few Englishnovels written for grown-up people.
The political background of Middlemarch is concerned about the first Reform Bill in1832 of English history. This novel has won critical triumph as well as commercial success,which embodies Eliot's philosophy on life, women, reform and morality,etc. Besides,characters reflect the writer's thinking and passion. As Longinus points out,“The genius ofgreat poets and prose writers, as their passion declines, finds its final expression in thedelineation of character !叫。” So it is with George Eliot in her Middlemarch, Therefore, thefeminine characters in Middlemarch have something to do with George Eliot's outlook onVictorian women. What's more, her personal experience also contributes to the formation ofher distinct feminine views.
In this thesis, researches will concentrate on the feminine protagonists in Middlemarch tohave a relatively deep study of Victorian women and their women questions in the novel fromthe feminine perspective. During the process, the text intends to find out the interrelationshipbetween Eliot's distinct feminine views and her feminine characters. More importantly, thethesis will induce a relatively objective study on Middlemarch and its feminine characterswhen they tackle with their problems so as to find out both progressiveness and limitations ofGeorge Eliot's feminine views.
Next, it is an outline of my paper. In the main part of this paper, I divide it into six parts.
In the first part, the authoress displays the introduction of the thesis including theresearch background, research perspective and aspects as well as the purpose and significanceof the current study.
In the second part, the thesis shall give the definition of women questions and related keyconcepts in Eliot's writings.
In the third and fourth part comes the textual analysis. In the two parts, the text willfocus on Dorothea the protagonist to discuss the typical women questions in family andsociety and to look into how they deal with these questions from the gynocritic perspective.
The fifth part shall be a further exploration on George Eliot's views on women.
In the sixth part, the research shall come to the conclusion of the thesis as well as somesuggestions for further exploration.
OK! That is all. Thank you! Please ask questions.