Introversion and Extroversion
AboutPicturePicture,thecoreelementofvisualart.Itplaysanimportantroleineveryfieldofvisualcommunicationdesign.Asknowntoall,effectivepictureisnotonlyimage,butalsomessage.Thiscommunicationofimageisevenmoreeffectivethanbywords.Someonesaidthatapictureisworthathousandwords.Yes,thisisagoodmeasureforevaluatingagoodhttps://p.9136.com/28munication.Usually,itcalledgraphiclanguageinareaofdesign.Graphiclanguagelikeword,itcomesfromcreativeideas.Itcanbepresentedbyallkindsofvisualstyle.Evenitisnotapictureasweexpected,butabroadstrokeofcolour,awordorsomethingelsethatforms animageinthegivenwork.Graphiclanguageisoneofthemostimportantlanguagesofcommunicationinposters,books,packages,identityprogrammesandtime-basedmultimedia.Nomatterhowdevelopedthemediatechnologyinthefuture,itwouldbeaeverlastingsubjectforresearch.Effectivegraphiclanguagecanreinforcethemessageormovethecommunicationalong.Thisisthereasonofitsexistenceanddevelopment.ThediversityofaestheticsbetweenChineseandWesternManydifferentcharacteristicsexistedin ChineseandWesternpostergraphiclanguage.Obviously,thereasonofdifferencearepartlyrelevanttotheirrespectivetraditionalculture.Itismeaninglesstolookonthephenomenonofartregardless itsbackgroundculture.Sofirstly,weshouldunderstandthebasiccharacteristics ofChineseandWesternartintraditionalposition.ChineseOnChineseaesthetics,themostnotablecharacteristicisemphasizingasenseofunderlyingharmony,especiallyinChinesepainting.TaoismisoneofthemainreligionsinChina,itofferstocombinetheoppositesandbalanceeachother.Chineseaestheticswasinfluenceddeeplyby Taoism.ItwasTaoisttheorythatthingsbroughtintocontactwitheachother,orarrangedtogether,influencedeachother.(PhilipRawson,LoaszloLegeza,1973)ItssymbolYin-Yang,composedbymutualblackandwhite.Itmeansthephysicalworldiswholeofinseparabledifferences,everythingexistswitheverythingelse.ThereexistsnoYangwithoutYininit,norYinwithoutYang.(PhilipRawson,LoaszloLegeza,1973)Theobjectsrepresentedinapaintingwillhave theirproportionsofYangandYincarefully combinedandharmonized.(PhilipRawson, LoaszloLegeza,1973)Forexample,mountain andwater,heavenandearth,lightanddark,dryandwet.Inlandscape,wecanfindthesefactorscomposedaspectacularandeternal harmoniousworld.Asfarasmodernposterisconcerned,communicationisits